Black Quantum Futurism Collective (Rasheedah Phillips + Camae Ayewa)

Curriculum Vitae

Artist-In-Residence, Solo Exhibitions, Fellowships, and Commissioned Projects

• Bending the Arrow of Time into a Circle, solo exhibition, Kunstverein Nürnberg, Germany, May23-July 31, 2025
• “The Memory Vortex Inn” Performance Space New York: Open Room, New York, NY, September 20, 2024-June 30, 2025
• “ANTI-KY-THE/RA,” solo exhibition, Hangar Portugal,
• Slower Than Light Shrine and Community Futures: STL Lab, Counterpublic, St. Louis, April 15-July 15, 2023
• Rasheedah Phillips, United States Artists 2023
• Creative Capital, Time Zone Protocols: Confederate States (2022)
• documenta fifteen, Kassel, Germany (2022)
• Mmere Dane: Black Time Belt, ifa (Institut für Auslandsbeziehungen) for ARE YOU FOR REAL (2021)
• 2021 Knight Arts + Tech Fellowship, Knight Foundation x United States Artists
• Collide Residency Award, “CPT Symmetry and Violations,” CERN, Geneva Switzerland (2021)
• Vera List Center Fellowship 2020-2022,  Time Zone Protocols by Rasheedah Phillips, Vera List Center for Art and Politics
• Nonlinear Histories & Quantum Futures” interactive communal outdoor stage commission and “Oral Futures Booth,” Manifesta 13, Marseille France (2020)
• The Great Bailout, Moor Mother and London Contemporary Orchestra
• Temporal Deprogramming, Institute of Contemporary Art London (2019)
• Moor Mother presents Circuit City, Fringe Arts – High Pressure Fire Service, Philadelphia PA (2019)
• Red Bull Music Presents Moor Mother: Red Summer, BRIC Arts Brooklyn, NY, May 9, 2019
• Community Futures Lab Chicago, Chicago Architecture Biennial (2019)
• Black Womxn Temporal Portal, Temple Contemporary Velocity Fund (2018)
• The Future(s) Are Black.Quantum.WomanistWeb Residency, Refiguring the Feminist Future curated by Moreshin Allahyari, Akademie Solitude & ZKM (2018)
• HatchLab Grantee, The Alliance for Media Arts + Culture (2018)
• Pew Fellow, Pew Center for Arts and Heritage (2017-19)
• Visual Artist Fellow,Center for Emerging Visual Arts  (2017-18)                                                                          
• TEMPORAL ATONEMENTsoundscape, commissioned and released as part of DeepWhiteSound “Composites: Buena Vista” presented in conjunction with the Soundwave ((7)) Biennial (2016)
• TEMPORAL TECHNOLOGIESsoundscape, commissioned and released as part of DarkMatters 6 on Afrovisionary/DarkMatters Independent Label (2016)
• A Blade of GrassFellow, Community Futurisms socially-engaged art project   (2016)
• Commissioned Artists, DIY PHL December 2015 Calendar  (2015)
• West Philadelphia Neighborhood Time Exchange, Artists-in-Residency  (2015)
• ANTI-KY-THE/RA sound, zine and extended audio project, commissioned and released on DeepWhiteSound                         independent label (2015)

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​Exhibitions and Installations​​​

• “Working Knowledge,”Group exhibition, Bronx Museum, Bronx NY, April 11-July 30, 2025
• “Impossible Music,” group exhibition, Tufts University Art Gallery, Boston MA, Jan 16-April 20, 2025
• “The Memory Vortex Inn,” Performance Space New York: Open Room, New York, NY, September 20, 2024-June 30, 2025
• “Taking Root Among the Stars,” group exhibition, W139, Amsterdam, Netherlands, Nov 22, 2024 – Feb 2, 2025
• “Multifutures,” group exhibition, Bankstown Arts Centre, Bankstown, Australia, 11 May – 11-June 29, 2024
• “Un desordre distint (A Different Disorder),” group exhibition, La Capella, Barcelona, Spain, July 16 – Sept 29 2024
• “All Time is Local Graz” in The Other: Re-Imagine the Future, Group Exhibition, Kunsthaus Graz, Graz, Austria.
• “Cosmic Beings,” group exhibition, Cement Fondu, Paddington, Australia, August 21- Sept 24 2023
• “MirrorTimeMirror” site-specific installation and performance, Brückenmusik 28 – 28. July 28-August 2023
• “Write No History” film triptych and “CPTimeline”featured at 14th Shanghai Art Biennale – “Cosmos Cinema,”  Shanghai, China, Nov 9, 2023–March 31, 2024
• “Impossible Music,” group exhibition, Carnegie-Mellon, Pittsburgh, PA, Sept 30-Dec 10, 2023
• “Hope,” group exhibition, Museion, Bolzano, Italy, Sept 2023 – Feb 25 2024
• “TIME: From Dürer to Bonvicini,”group exhibition, Kunsthall Zurich Sept 22, 2023– Jan 14, 2024
• “In Common: New Approaches with Romare Bearden” group exhibition, Parsons School of Design, Sheila C. Johnson Design Center, Anna-Maria and Stephen Kellen Gallery, Nov 9, 2024-Jan 15, 2024
• “Into the Black Hole,” group exhibition, Valkhof Museum, Nijmegen, Netherlands, Oct 17, 2023 – Apr 19, 2024
• Archive of the Air, PastPresent Projects, (May 20, 2023 – July 29, 2023)
• Picasso: Sin Título. La Casa Encendida de Fundación Montemadrid (May 19, 2023 – January 7, 2024 )
• Time Zone Protocols, solo exhibition, Kellen Gallery at The New School
• Write No History, Carnegie Hall Afrofuturism Exhibition
• Adjustable Monuments, group exhibition, Sammlung Philara, Dusseldorf, Germany, Feb. 26-June 26, 2022
• Just Futures: Black Quantum Futurism, Arthur Jaffa, and Martine Syms, group exhibition, UC Santa Cruz
• Infinite Distance, online group exhibition, curated by Shani K. Parsons, presented in conjunction with the November release for Almanac for Refusal, the digital platform of transmediale festival 2021-22
• CPT Reversal, solo exhibition, REDCAT,  Los Angeles, California, November 6, 2021 -March 5, 2022
• Ancestors returning again/this time only to themselves, site-specific solo exhibition, curated by PastPresent Projects, The Hatfield House, sponsored by The Fairmount Park Conservancy, August 14-Sept 19, 2021
• “Reclamation: Space-Times,” Staying Power group exhibition, curated by Paul Farber, Village of Art & Humanities x Monument Lab, Philadelphia PA, May 1- July 2021
• “Transmissions from a Quantum Time Capsule,” Time Capsule 2045group exhibition, curated by Maud Jacquin, Sébastien Pluot with Laurent Fiévet , Silvia Guerra, Julien Sirjacq, Beaux-arts de Paris, May 7-23, 2021
• “Black Womxn Temporal Portal,” Monstrous Machines: Extensions Vol. III, online and physical group exhibition and publication, curated by Ida Schyum, ARoS Public and Radar Contemporary (May 7-July 10, 2021)
• “Black Womxn Temporal Portal,” Molecular Minds || Monstrous Mattersonline group exhibition, curated by Mara-Johana Komel, Digital Solitude by Akademie Schloss Solitude, Germany (2021)
• “Time Travel Experiments,” Here History Began Team, Tracing the Re/Verberations of Halim El-Dabhgroup physical and online exhibition, curated by Kamila Metwaly and Bonaventure Soh Bejeng Ndikung, Savvy Contemporary, Berlin (20.03.–09.05.2021)
• Select works in If Time Is Still Alive: The City & The Good Life, group exhibition, Camera Austria, curated by Urban Subjects (Sabine Bitter, Jeff Derksen, Helmut Weber), March 13-May 23, 2021
• Nonlinear Histories & Quantum Futures” interactive communal outdoor stage commission and “Oral Futures Booth,” Manifesta 13, Marseille France (2020)
• “Black Womxn Temporal Portal,” Radical Hope series – Burning Glass, Reading Stone group exhibition, Blackwood Gallery at the University of Toronto Mississauga, Nov 16-Dec 13, 2020
• Select pieces from “Black Space Agency” and “Community Futurisms” series, Imagining De- Gentrified Futures group Exhibition, curated by Betty Yu, Apexart NYC.
• Select pieces from “Black Space Agency” series in Off to Space: Counternarrating the Cosmos curated by Maria Veits, Israeli Center for Digital Art, Feb 22-May 23, 2020
• Selected Video Works, Rituals for Temporal Deprogramming in Dhaka Art Summit 2020: Seismic Movements, curated by The Otolith Group, February 7-15, 2020
• Black Womxn Temporal Portalsolo exhibition, Painted Bride Arts Center, Philadelphia PA , Nov. 1-28, 2019
• ANTI-KY-THE/RA digital installation, STRUKTURA. Time online exhibition, The Wrong Biennale for Digital Culture
• Community Futures Lab Chicago, Chicago Cultural Center in “…and other such stories,” Chicago Architecture Biennial 2019
• Time Travel Experiments film, Part of the Labryinth – GÖTEBORG INTERNATIONAL BIENNIAL FOR CONTEMPORARY ART (GIBCA) 2019
• “All Time is Local”, Trainings for the Not-Yetgroup exhibition and series of trainings, BAK, curated by Jeanne Van Heeswijk, Utrecht Holland, September 14, 2019 – January 2020
• Temporal Disruptors watches + Temporal Library, “The Green Sun” group exhibition, Atelier Gallery, Phila PA, curated by Kristen Neville and Ricky Yanas, Sept 20-Oct 27, 2019
• Black Space Agency Triptych, “Social Justice in the Misinformation Age” group exhibition, Juried by Susan Crile, Freedman Gallery @ Albright College, August 27-October 20, 2019
• “Experimental Time Order”solo exhibition, Western Front, Vancouver CA, September 12-November 13, 2019
• Temporal Deprogramming solo exhibition and programming, Institute of Contemporary Art London, August 10-27, 2019
• Red Bull Red Summer Stage and Film Installation, BRIC Arts NYC, May 9, 2019
• “Part of the Labyrinth” group exhibition, Göteborg International Biennial for Contemporary Art, Göteborg, Sweden
• “All Time is Local” members exhibition, Center for Emerging Visual Artists, Philadelphia PA, April 22-May 31, 2019
• Temporal Disruptors and Kindred Temporal Library, “Orbits” group exhibition, Tiger Strikes Asteroid, Chicago IL, May 11-June 23, 2019
• “Timeless Degrees of Freedom” exhibition, Vox Populi Galleries, Philadelphia, PA, March 2-April 14, 2019
• “At the Edge of the Bush/A Long Walk Into the Unknown” solo exhibition, Squeaky Wheel Buffalo, curated by Ekrem Serdar, Jan 25-April 20 2019
• Quantum Event Map and Temporal Library, “What We Make” group exhibition, Ohio Wesleyan University Ross Art Museum, curated by Erin Fletcher and Ashley Biser, 2018
• Screening of “Experimental Time Order” short film at Alien Time: An Invitation to Time Travel” Symposium, Goldsmiths University, organized by Bridget Crone and Henriette Gunkel, 2018
• Alter-Native Time Portal, Group Exhibition at Philadelphia Museum of Art Perelman Building, PHL Assembled, 2017
• “Community Futurisms: Mapping Memory 001” Solo exhibiton at Kelly Writer’s House – Brodsky Gallery, 2017
• “Ritual Causality 002,”Black Quantum Futurism Solo Exhibition at Black Oak House Contemporary Gallery, 2016
• “Dismantling the Master Clock 001” mixed media art, Vox Populi Gallery Juried Exhibition “VOX XII: News and Weather”, juried by Gordon Hall and Brian Droitcour, Philadelphia PA
• “PTSD” and “Dismantling the Master Clock 001” mixed media art, Octavia’s Attic, curated by Channing Joseph, Live Worms Gallery, San Francisco CA, 2016
• Various pieces, mixed media art, A Government of Times exhibition, curated by le peuple qui manque, Rebuild Foundation, Chicago IL, 2016
• Ritual Causality mixed media art, RECIPROCITY Group Exhibition, West Philadelphia Neighborhood Time Exchange, 2015
• Philalalalia Ink & Print exhibition, print media, sculpture, and film installation, Temple Contemporary Gallery, Philadelphia PA, 2015
• Black Quantum Futurism: Theory & Practice, Volume 1″ print media, Unveiling Visions: The Alchemy of the Black Imagination, curated by John Jennings and Reynaldo Anderson,  Schomburg Center for Research in Black Culture, NYC

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Select Performances

• PST ART Weekend Opening Celebration: BQF x Nicole Mitchell, October 14, 2024
• Black Quantum Futurism Performance at Loophole of Retreatby Simone Leigh, Venice Biennale, October 2022
• “Waiting Time/Watch Night Service” BQF at Making Time is Rad Fuck2020 NYE Party (onlne), December 31, 2020
• THE COSMIC SYNTHESIS OF SUN RA AND AFROFUTURISM: SISTERS, SOUNDS AND SCIENCE OF AFROFUTURISM—BLACK QUANTUM FUTURISM & NONA HENDRYX, Harlem Stage, NY, December 13, 2019
• Prizm Art Fair at Art Basel/Miami Art Week 2019, Miami Fl, December 3, 2019
• Valongo Festival, Sao Pauo Brazil, November 9, 2019
• Project: Time Capsule performative workshop, Alternatives & Futures public programs series, Queens Museum, NY, July 21, 2019
• Circuit City, Fringe Festival High Pressure Fire Service, FringeArts June 20-22, 2019
• Red Bull Music Presents Moor Mother: Red Summer, BRIC Arts Brooklyn, May 9, 2019
• The Temporal Disruptors, NO GUTS, NO GALAXY: Slideshows as part of RAMMΣLLZΣΣ: Racing for Thunder, Red Bull Arts New York, Aug 2018
• Afrocyberfeminismes #6 – Post-futurs et temporalities alternatives, Le Gait Lyrique, Paris France, July 2018
• Black Quantum Futurism MOFO Festival, Australia, Jan 2018
• Project: Time Capsule, Serpentine Gallery Park Nights 2017, London UK, Aug 2017
• Black Quantum Futurism x Geng x Matana Roberts, Live, MOMA PS1 – Come Together Fest, New York, 2017
• Ritual Causality 003 performance, transmediale festival 2017 – ever elusive, Berlin Germany, Feb 2017
• Black Quantum Futurism, Sustaining Our Sounds: Girls Rock Philly 10th Anniversary Gala, Icebox Project Space Philadelphia PA, 2016
• Free for All: Black Quantum Futurism, Institute of Contemporary Art, Philadelphia PA, Oct 2016
• Topical Cream Magazine Pulse Benefitat Artists Space, New York NY, 2016
• BLACK FUTURE MONTH 3016: 4th Annual Afrofuturism Art Exhibit, OCAD University, Toronto ON, Canada, 2016
• Afrofuturism Now! Festival@ WORM Rotterdam, Rotterdam, NL, Oct 2015

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Select Artist Lectures, Panels, Workshops, Talks, and Presentations

• Tuning into the Quantum: A Vibrational Exchange Between Karen Barad and Black Quantum Futurism Tuning into the Quantum: A Vibrational Exchange Between Karen Barad and Black Quantum Futurism, Nov 22, 2023
• 400Forward – Director’s Dialogue on Art and Social Change, featuring Hanif Abdurraqib, Camae Ayewa (Moor Mother), Anaïs Duplan, and Rasheedah Phillips, Moderated by Kimberly Drew, Wexner Center for the Arts (March 9, 2022)
• Undesigning Systemic Time for Temporal Liberation, Gidest Lecture at The New School, (February 25, 2022)
• Department of XenoGenesis: Octonionic Constellation: Thinking Octavia Butlerwith Rasheedah Phillips, curated by The Otolith Collective, Cafe Oto (February 19, 2022)
• “Like Clockwork: Material Cultures of Time within Black Communities,” Temporal Belongings Conference 2021: Material Life of Time (March 16, 2021)
• Communication After Refusal: The Turn to Love and Polyvocality, Book Launch and Conversation for Blackspace: On the Poetics of an Afrofuture by An Duplan, (Feb 22, 2021)
• Black Quantum Futurism Talk and Moor Mother performance, Beyond the End of the World/Visualizing Abolition series, UC Santa Cruz x Indexical, Nov 13, 2020
• “Towards a Temporal Rezoning: Unmapping the Time Zones” Performative Lecture and Talk, Vera List Center for Art and Social Politics “As For Protocols” VLC Forum 2020, Nov 8 2020
• “A Conversation on Afrofuturism” panel (on the occasion of Wangechi Mutu’s commission), The Metropolitan Museum of Art, New York, NY, Dec 11, 2019
• Quantum Womanist Futures, Black Space Agency + Communal Temporalities workshop, Manifest Destiny exhibition, Detroit MI,
• “Black Grandmother Paradoxes + Quantum Womanist Futures” workshop, Black Futurism – Black in Design Conference, Harvard University, Boston MA, October 4-6, 2019
• Towards World-Building: Sciences at the End of the Worldpanel presentation, Refiguring the Future conference presented by Eyebeam Institute, Feb. 2019
• Uncovering Women of Color in Time, Place, and History,Panel presentation, presented by Chronicling Resistance, Enabling Resistance, PACSCL, Dec. 2018
• “You Are Now Here” Speculative Geographies panel presentation, Community Mapping and Civic Data Summit, Price Lab at Penn Law Philadelphia PA, Nov 2018
• Black Quantum Futurism: Re-Imagining the Citykeynote presentation, Social Art Summit, Sheffield, UK, Nov 2018
• “Black Space Agency: Retrofutures of Civil & Star Wars” panel presentation, Out There – 5 talk-bits on War-Futures in Outer Space,UCHRI, Nov 2018
• Beyond Wakanda: The Resurgence of the Contemporary Black Reality & Future, Panelist, BlackStar Film Fest, Aug 2018
• Keynote Speaker, Tuning Speculations V: Vibratory (Ex)changes, The Occulture, Toronto Canada, Nov 2017
• Panelist w/ John Jennings and Catherine Ramirez, Different Tomorrows: Beyond Whiteness Symposium, Nov 2017
• Dismantling the Master’s Clock[work Universe], Enter Afrofuturism, Onassis Cultural Center, Athens, Greece, Nov 2017
• Keynote Speaker, Sight and Sound Festival 2017 – NonCompliant Futures, Montreal Canada, Sept 2017
• Time, Memory, and Justice in Marginalized Communitiesworkshop, Open Engagement, Chicago IL,  April 2017
• Afrofuturism and Black Science Fiction Panel, Yale Black Solidarity Conference 2017, Yale University, New Haven CT, Feb 2017
• Singularities panel, transmediale – ever elusive, Berlin Germany, Feb 2017
• Black Quantum Futurism Artist Talk with The Wireat CTM Festival, Berlin Germany, Feb 2017
• The New Legal Temporalities?:Discipline and Resistance across Domains of Timeinternational conference, University of Kent, Canterbury, United Kingdom, Sept 2016
• Quantum Event Mapping and DIY Time Travel presentation, Celebrating Time: 3rd International Conference on Time Perspective, Copenhagen, Denmark, Aug 2016
• DIY Timescapes: Black Quantum Futurism and Alternative Temporalities, Portals: History of the Future exhibition, Providence Public Library, Providence RI, 2016
• Justice + Space II Conference, “Dreaming” panel and presentation, PennDesign, University of Pennsylvania, Philadelphia, 2016
• Dismantling the Master’s Clock paper, TransTemporality Conference, University of Toronto, Toronto ON, Canada
• Future Perfect: Future Imaginaries from the New Right to the Afrofuturist Affair, workshop and screening with filmmaker Daniel Tucker, Slought, Philadelphia PA
• Ritual Causality 001, AUX Performance Space at Vox Populi Gallery
• DIY Time Travel Workshop and Performance, Afrofutures UK, Manchester Digital Library, Manchester, United Kingdom​

Select Print and Sound Media ​

• Chapter: As Above, So Below: Space and Race in the Space Raceby Rasheedah Phillips, The Routledge Handbook of Social Studies of Outer Space, edited by Alice Gorman and Juan Francisco Salazar (2023)
• Race Against Time: Afrofuturism and Our Liberated Housing Futuresby Rasheedah Phillips, Critical Analysis of Law (CAL) Vol. 9 No. 1 (2022): Special Issue, Afrofuturism and the Law, Univ. of Toronto Law School (March 2022)
• “Counter Clockwise: Unmapping Black Temporalities from Greenwich Mean Timelines” by Rasheedah Phillips in The Funambulist: Politics of Bodies and Space Magazine – “They Have Clocks, We Have Time” Issue No. 36, July/August 2021; designed cover art for the issue
• Project: Time Capsuleby Black Quantum Futurism in “Survivance,” a collaboration between the Solomon R. Guggenheim Museum and e-flux Architecture (June 2021); guest editors
• Eviction Records Follow People Around for Years. This Isn’t Fair. by Rasheedah Phillips, Next City, (June 2021)
• Time is key: Applying a Black Quantum Futurist lens to understanding solutions to housing inequality, op-ed by Rasheedah Phillips, Generocity (June 2021)
• Reconfiguring Space, Time, and Justice for Liberatory Housing Futuresby Rasheedah Phillips, PACDC Magazine (April 2021)
• Expanding Black futures requires ending racist housing policies that plague Philadelphia| Opinion, by Rasheedah Phillips, Philadelphia Inquirer (Feb 19, 2021)
• “Time and Memory Survey” by Rasheedah Phillips in “Black Futures,” edited by Kimberly Drew and Jenna Wortham, Penguin Random-House (Dec. 1, 2020)
• Duppy Space-Time x Yard Temporalities, by Rasheedah Phillips, written in parallel with Christopher Udemezue’s “Duppy” Session at Recess Arts
• Red Summer Digital Zineby Black Quantum Futurism
• The Nowness of Black Chronopolitical Imaginaries in the Afro/Retrofutureby Rasheedah Phillips in The Funambulist: Politics of Bodies and Space Magazine – Futurisms Issue No. 24, July/August 2019
• Reverse Gentrification of the Future Now: Essayby Rasheedah Phillips, as part of Moor Mother’s Circuit City, Fringe Festival Blog
• Activating Retrocurrences and Reverse Time-Bindings in the Quantum Now(s), by Rasheedah Phillips, Squeaky Wheel site and exhibition text for “On the Edge of the Bush//A Long Walk into the Unknown” solo exhibition, Feb. 2019
• Placing Time, Timing Space: Dismantling the Master’s Map and Clock by Rasheedah Phillipsin The Funambulist: Politics of Bodies and Space Magazine – Cartography and Power Issue 18, July/August 2018
• Dismantling the Master’s Clock: Black Quantum Futurism as a New Afro-Diasporic Time” essay by Rasheedah Phillips and “Futurist Garvey” poem by Camae Ayewa, Cosmic Underground: A Grimoire of Black Speculative Discontent, edited by John Jennings and Reynaldo Anderson (2018)
• Keywords for Radicals: The Contested Vocabulary of Late Capitalist, essay on keyword “FUTURE” written by Rasheedah Phillips, book co-edited by Kelly Fritsch and Clare O’Connor (2016)
• Organize Your Own Temporality image and essay by Rasheedah Phillips, Organize Your Own Exhibition Catalogue, edited/curated by Daniel Tucker (Soberscove, 2016)
• Observations on Slave Ships, Time, and Quantum Physics, images and writing in The Funambulist: Politics of Bodies and Space Magazine – Design + Racism Issue 5, May/June 2016
• Black Across Time, Space, and Depth,reflections on Rodney McMillian’s The Black Show exhibition at the Institute of Contemporary Art Philadelphia, published on its NOTES blog
• Space-Time Collapse: From the Congo to the Carolinas, Vol. I, March 2016, The  AfroFuturist Affair/House of Future Sciences Books
• Black Quantum Futurism Theory & Practice Vol. 1, March 2015, The AfroFuturist Affair/House of Future Sciences Books

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Select Press and Interviews​​​

• Counterpublic Highlights St. Louis History With Eye-Catching Art, by Jessica Rogen (April 24, 2023)
• Moor Mother Interview: “I am the instrument,” by David Blumenfield, Tidal Magazine (December 16, 2022)
• Afrofuturism and Housing Justice Angela Glover Blackwell in conversation with Rasheedah Phillips, Radical Imagination podcast Season 4, Episode 8: November 25, 2022
• Time: Rasheedah Phillips & Dorota Grabowska, #ArtsatCERN10 Podcast, 10th anniversary of Arts at CERN. (June 2022)
• Manipolare spazio e tempo. L’opera dei Black Quantum Futurism a documenta, By Silvia Rossetti, Artribune (Sept. 18 2022)
• Summoning Freedom,by Nate File, Boston Review (Aug 17, 2022)
• Field Notes: Black Quantum Futurism and Más Arte Más Acción, Documenta 15, by Sara Garzón, Art & Education (July 2022)
• Rasheedah Phillips presents ‘Time Zone Protocols’ conference at the New School, by Jordannah Elizabeth, New York Amsterdam News (April 7, 2022)
• Frank Rizzo: The Unmaking of a Monument and Mural, WHYY Movers & Makers Documentary (Feb 10 2022)
• Philly’s fave Afrofuturists turned a Fairmount mansion into a time-travel portalby Peter Crimmins, WHYY/Plan Philly (Aug, 20121)
• Black ancestors take up metaphysical residence at Hatfield House through image and artifact, by Hanae Mason, Generocity.org (Aug. 16, 2021)
• Afrofuturismo cuántico, by JAVIER ARGÜELLO, El Pais (July 12, 2021),
• ‘The impossible is what we do’: A new art project honors neighborhood ‘Staying Power’, by Stephan Salisbury , Philadelphia Inquirer (May 23, 2021)
• In May, let’s play with the future, by Sabrina Vourvoulias, Genorocity (May 6, 2021)
• Reimagining What Monuments Can Be, by Cornelia Channing, New York Magazine – The Cut (May 3, 2021)
• They Are Their Own Monuments,by Tess Thackara, The New York Times (May 3, 2021)
• Exploring Identity Through Afrofuturism with Black Quantum Futurism, by Alex Smith, Broad Street Review (April 28. 2021)
• Black Quantum Futurism receives the Knight Foundation’s new art and technology fellowship,by Peter Crimmins, WHYY (Feb 17, 2021)
• Moor Mother’s Camae Ayewa and Rasheedah Phillips win residency to expand Black Quantum Futurism, by Sarah Hosjak, The Key – XPN (Feb 17, 2021)
• With a $50,000 Grant, Black Quantum Futurism Will Continue to Disrupt Space and Time, by Helen Holmes, The Observer (Feb 18, 2021)
• Moor Mother & Rasheedah Phillips’ Black Quantum Futurism awarded residency at CERN, the world’s largest particle physics lab, by Matt McDermott, Resident Advisor (Feb 16 2021)
• Skate park installation and printmaking exhibition bring queer and trans artists together, by Peter Crimmins, WHYY (Feb 14, 2021)
• Are you thinking about time right now? For ‘Black Futures’ contributor Rasheedah Phillips, it’s a lifelong pursuit. by Cassie Owens, Philadelphia Inquirer (Jan. 1 2021)
• Time Will Tell, by Amanda Carneiro, Afterall Journal, (Dec. 9, 2020)
• “Radical Futurisms: Documentary’s Chronopolitics,” by T.J. Demos,Trigger #2: Uncertainty, FOMU: Photography Museum, 2020
• Join a Reading Group That Imagines a Future Beyond Gentrification, Hyperallergic, Dessane Lopez Cassell (Nov 18 2020)
• Five Philadelphia Projects Connect to Community With Temple Contemporary’s Added Velocity Award​,by Logan Cryer, Hyperallergic (Oct 28 2020)
• Ingrid LaFleur in Conversation with Rasheedah Phillips, by Constance Collier-Mercado, Believer Magazine, (October 1, 2020)
• North Philly activist, poet, and musician Moor Mother on her free jazz musical,Afrofuturism, and Patti LaBelle, by Dan DeLuca, The Philadelphia Inquirer (September 30, 2020)
• Ancestral Tech and the Future of the Black Body, by Ras Cutlass, Broken Pencil Magazine (September 23 2020)
• In our language the word for the sea means the ‘spirit that returns’, by Adjoa Armah, Afterall Journal (Sep. 8 2020)
• Black Designers Demand Equity and Justice in the Built Environment,by Dana J. Rice, Hidden City Philadelphia (August 2020)
• Rasheedah Phillips x Moor Mother Invisible Jukebox, The Wire Magazine, Issue 437 (July 2020)
• L’Officiel Art International 2020 – The Warning Issue, Pierre-Alexandre Mateos and Charles Teyssou (May 24, 2020)
• Recording of March 2019 lecture at Rice University: Liberatory Quantum Womanist Futures + Communal Temporalities,Paracultures Blog, April 2020
• Community Futurismsbook review, Industry Dump, April 2020
• The Revolutionary Free Jazz of Irreversible Entanglements,by Zoe Camp, Bandcamp Daily, April 2020
• Nona Hendryx on Paying Tribute to Sun Ra at the Met: ‘Afrofuturism Has Always Been’, Natalie Weiner, Billboard.com, March 2, 2020
• Added Velocity Awards, ArtBlog
• A look into many futures at the Philadelphia Museum of Art, by Alex Smith, Philly Artblog
• Rasheedah Phillips talks Black Quantum Futurism coming to Harlem Stage, by Jordannah Elizabeth, Amsterdam News December 12, 2019
• How PRIZM Is Helping Artists of Color Get Their Time in the Spotlight, by Nia Groce, Hypebeast, December 6, 2019
• Time FIghters: Black Quantum Futurism at the Chicago Architecture Biennialby Drew Zeiba, Pin-Up Magazine, Fall/Winter 2019-20
• Fugitive Librariesby Shannon Mattern, October 2019
• Moor Mother’s Camae Ayewa imagines the future of liberation in Circuit City, Circuit City Review by Thomas Hagen in WXPN/The Key, June 27, 2019
• Transcendence and Temporality, Black Quantum Futurism’s All Time is Local at Center for Emerging Visual Artists– Review of “All Time is Local” by Alex Smith in ArtBlog Philly, May 31, 2019
• Live: Red Bull Music Academy Presents Moor Mother’s Red Summer, by Reginald Duvivier, The Couch Sessions (May 15, 2019)
• Live Review + Gallery: Moor Mother: Red Summer at BRIC(05.09.19), by Edwina Hay, Music Existence (May 10, 2019)
• Decolonizing Time as Healing, by Monica Uszerowicz, Topical Cream Magazine
• Review of “On the Edge of the Bush” solo exhibition,
• Black Quantum Futurism FIELDWORKS short film, directed by A Blade of Grass, October 2018
• Black Futurism and Technologies of Joy, Interview with Clara Herrmann, Akademie Solitude x ZKM, August 2018
• Dismantling the Master Clock: The Philosophy and Music of Philadelphia’s Black Quantum Futurism Collective, by Tirhakah Love, Red Bull Academy, May 2018
• Camae Ayewa and Rasheedah Phillips Pew Fellows Interview, Pew Center for Arts and Heritage, March 2018
• How Musicians Are Using Field Recordings to Capture the Politics of a Place, by Lottie Brazier, Pitchfork, April 2018
• Black History Untold: Future– Rasheedah Phillips, by Sofiya Ballin, Feb 2018
• Crane Arts Exhibit Explores Time & Temporality, by Ian Walker, Temple News, October 2017
• 40th anniversary of the Voyager Golden Record, Nick Luscombe with Golden Records, BBC Late Junction, Aug 2017
• NextGen: Black Quantum Futurism Is a Women-Led Incubator Rooted In Black Liberation, by Alisha Acquaye, Okay Africa, July 2017
• ​Talks // transmediale Ever Elusive: Excursion on ‘Imaginaries, Interventions and Ecologies’by Candice Nembhard, Berlin Art Link, March 2, 2017
• Moor Mother, Fetish Bones album review, by Richard Foster. The Quietus, December 8, 2016
• Items Tagged Philadelphia: Poetry, prose and making the world better through sound, The Key/WXPN, February 3, 2017
• Bharatanatyam, Yannick Nézet-Séguin, AfrofuturismArticulate with Jim Cotter. WHYY, June 30, 2016
• An Afrofuturist Community Center Targets Gentrificationby Hyunjee Nicole Kim. Hyperallergic, June 22, 2016
• Race Against Time: A North Philly artist aims to document her disappearing community by Melissa Simpson. PhillyVoice, June 16, 2016
• TEARS INTO FLAMES: BGD MUSIC OF THE MONTH FEATURING CAMAE AYEWA OF MOOR MOTHERby Victoria Ruiz. Black Girl Dangerous, June 10, 2016
• This time-traveling sci-fi writer is not your average public interest attorney by Tony Abraham. Genoricty, May 10, 2016
• Meet Camae Defstar, The Philly Activist Channelling Her City’s Pain Through Music, by Laurent Fintoni. The Fader, December 18, 2015

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Honors and Awards

• Girls Rock Philly Inaugural PhillyRising Award
• Geekadelphia Impact Org of the Year Award
• Young Friends of the Preservation Alliance (for Greater Philadelphia) Award